You’ll by now be aware that the GCSE syllabus is changing, and that maths and English are leading the way, with the last year’s year 11’s the first to sit the new exams in June 2017. However, information on the new syllabus has been sparse. So if you’re still wondering how best to support your child (and whether Of Mice and Men is still on the syllabus), read on.

 

At a glance

 

GCSE English Literature, and GSCE English Language (along with all other subjects) have been redesigned to become more demanding, bringing the UK’s 16 year old school-leavers up to par with international standards.

 

If you’ve read our post on Attainment 8, you’ll hopefully understand that your child’s GCSE English results will count for a whopping 30% of their entire KS4 score, and as such you should expect your school to assign a fairly large portion of teaching time to these subjects.

 

There are changes to both the English Language and English Literature courses, as we’ll discuss below…

English Language GCSE (9-1)

 

Firstly, there are no set texts for the new English Language syllabus; pupils are expected to read a “wide range of texts” from the 19th, 20th and 21st century (a timely reminder to ensure that your child is reading for pleasure at home, from the earliest age possible!)

 

The reading assessment will comprise 50% of the new exam, and will be based on unseen texts from the past three centuries, both fiction and non-fiction. Pupils will be expected to evaluate the writer’s choice of vocabulary, form and structural features.

 

The writing assessment makes up the second 50%, with pupils expected to write clear and coherent texts. A weighty 20% of the marks for this exam are awarded for range of vocabulary and sentence structures, spelling and punctuation (an extension of the previous SPaG marks – spelling, punctuation and grammar).

 

There will continue to be a speaking and listening examination, however the results for this will be reported separately, and will not directly count towards GCSE marks.

English Literature GCSE (9-1)

 

The new English Literature syllabus focuses on ‘classic literature’ and ‘substantial whole texts in detail’, taken from the following categories:

  • Shakespeare
  • 19th century novel
  • Selection of poetry since 1789, including Romantic poetry
  • Fiction or drama from the British Isles from 1914 onwards

 

Students will be examined in two key components:

 

Reading

Literal and inferential comprehension:

Pupils will be expected to read ‘beyond’ the text, and spot differences between what is stated, and what is potentially meant. They will also be required to understand what is perhaps implied by a word in the context that it is used.

 

Critical reading:

Again, pupils need to look beyond what is written to pull deeper meaning from texts — perhaps by understanding the writer’s social/historical context to inform evaluation. Pupils will also need to support / oppose a point of view, or make an informed personal response by referring to evidence in the given text.

 

Evaluation of a writer’s choice of vocabulary:

Pupils will need to use linguistic and literary terminology to evaluate grammatical and structural features (such as, but not restricted to, phrase, metaphor, meter, irony and persona, synecdoche and pathetic fallacy)

 

Comparing texts:

Comparing both seen and unseen texts for theme, characterisation, context, style and literary quality.

 

Writing

Producing clear and coherent text:

Students will be expected to tailor their writing effectively to suit different purposes or audiences. They may be required to: Describe, narrate, explain, instruct, give and respond to information, and argue

 

Beyond an imaginative and creative use of language, and the appropriate selection of vocab, grammar, form and structure, pupils also need to be mindful to maintain coherence and consistency throughout their response.

 

Writing for impact:

Pupils will be expected to select, organise and emphasise key facts and ideas. Where appropriate, they should also cite their sources effectively in order to support their views.

 

Pupils should again use imaginative, creative and persuasive language (such as rhetorical questions, antithesis and parenthesis) in order to create an emotional impact.

 

20-25% of the marks in the final exam will include making comparison with unseen texts, again raising the importance for pupils to be in reading and analysing texts (is your child reading for pleasure yet?!)

 

A slightly less weighty 5% of marks will be awarded for vocabulary, sentence structures, spelling and punctuation.

 

Selection of Texts

While the exam boards, on the face of it, are providing a large selectinon of texts which the pupils may study, the reality of the situation is that as schools make this selection for the pupils, we can expect to continue to see a fairly universal selection by the majority of teachers, especially of those texts that would have been studied under the old syllabus (would you want to throw away 10 years worth of lesson plans?) We’ve highlighted the most popular choices in the tables below.

 

Shakespeare
Schools will select one play from the following for students to study

 

 Play title Edexcel AQA OCR
Macbeth
Romeo and Juliet
Much Ado About Nothing
Twelfth Night
The Merchant of Venice
Julius Caeser
The Tempest

The 19th Century Novel
Schools will select one novel from the following for students to study

 

 Play title Edexcel AQA OCR
Dr Jekyll and Mr Hyde – R L Stevenson
Pride and Prejudice – Jane Austen
Jane Eyre – Charlotte Brontë
Great Expectations – Charles Dickens
A Christmas Carol – Charles Dickens
Silas Marner – George Eliot
Frankenstein – Mary Shelley
The War of the Worlds – H G Wells
The Sign of Four – Sir Arthur Conan Doyle

Modern Texts

Schools will select one text from the following for students to study

 

 Play title Edexcel AQA OCR
Animal Farm — George Orwell
An Inspector Calls — J B Priestley
Lord of the Flies — William Golding
Hobson’s Choice — Harold Brighouse
Blood Brothers — Willy Russell
Journey’s End — R C Sherriff
Anita and Me — Meera Syal
The Woman in Black — Susan Hill
The History Boys — Alan Bennett
DNA — Dennis Kelly
The Curious Incident of the Dog in the Night-Time (play script) — Simon Stephens
A Taste of Honey — Shelagh Delaney
Telling Tales — AQA Anthology
Never Let me Go — Kazuo Ishiguro
Pigeon English — Stephen Kelman
My Mother Said I Never Should — Charlotte Keatley

How will this be examined?

 

As previously discussed, GCSE English Literature and GCSE English Language will between them comprise 30% of a pupil’s GCSE results. Such a large reward doesn’t come without hard work, and as such pupils should expect to sit a whopping 8 hours of English examinations.

English Language is examined by two exams + a standalone speaking and listening examination. For all three exam boards, both exam 1 and exam 2 carry an equal proportion of reading and writing tasks.

 

Exam 1 Edexcel AQA OCR
Title Fiction and Imaginative Writing Exploration in Creative Reading and Writing Communication Information and Ideas
Weighting 40% 50% 50%
Length 1hr 45mins 1hr 45mins 2hrs
Marks 64 marks 80 marks 50%
Exam 2 Edexcel AQA OCR
Title Non-Fiction and Transactional Writing Non-Fiction and Transactional Writing Exploring Effects and Impact
Weighting 60% 50% 50%
Length 2hrs 1hr 45mins 2hrs
Marks 96 marks 80 marks 80 marks
Exam 3 Edexcel AQA OCR
 Title Speaking and Listening Endorsement
 Weighting 0% – Standalone endorsement
Pass/Merit/Distinction

English Literature will be examined by two exams as follows.

 

Exam 1 Edexcel AQA OCR
Title Shakespeare and Post-1914 Literature Shakespeare and the 19th-century novel Exploring modern and literary heritage texts
Weighting 50% 40% 50%
Length 1hr 45mins 1hr 45mins 2hrs
Marks 80 marks 64 marks 80 marks
Exam 2 Edexcel AQA OCR
Title 19th-century Novel and Poetry since 1789 Modern texts and poetry Exploring poetry and Shakespeare
Weighting 50% 60% 50%
Length 2hrs 15mins 2hrs 15mins 2hrs
Marks 80 marks 96 marks 80 marks

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